Vox Populis

Social commentators often unfit to comment socially often overstate the case against modern crowds. Are we duller, dumber, less demanding than previous generations? Or are we sharper, savvier, more critical? Watching the end of No Country for Old Men the other night, one could hear the groan from the full house enjoying I Am Legend across the megaplex.

Harp as I might on the banalities of herd mentality and the LCD. I'd rather focus on the tragedy of low expectations. Now, we all know what a reliable majority of the small audience (who earned points by even coming to a showing of the Coen brothers flick at the blockbuster-driven UA theater) wanted at the end, despite all logic and faith to adapted text: the cleanest, tidiest ending possible to make up for 2 hours of disturbing, unapologetic violence. As the genre shift from noir to western back to noir jerked the audience back and forth, they became that desperate gambler trying to break the ball in a spinning roulette wheel away from the force of inevitability to land on a single number.

After all, they invested a long time in coming to this rarefied movie--not the crime caper or quirky comedy the Coens have been known to make in the past--certainly not the zombie flick or CGI fantasy their friends had opted for. They even sat through the slow pacing, the drag of the dialog, all the way through the unsatisfying conclusion, all the while getting their wads ready to blow at the payoff point. But it never came...at least not in the way they expected.

With the modern gimmickry of the last decade and a half, audiences have gotten used to slick editing, narrative shifts, and all manner of twists. How is it that these audiences still expect the most prosaic coup de grace in a movie whose mood and trajectory, enigmatic as it might be, has been firmly established in the first act? Vin Diesel and The Rock are expected to come through and annihilate their enemies. We usually know that Mel Gibson will stick a flagpole through a Redcoat's windpipe at the end of a revolutionary revenge epic. Yet how can we expect the same in a movie whose stakes, if not higher, at the very least like on a different emotional plane. Never mind that--give us payoff or give us death!